Sorry, Can You Wait One Minute

Özet

The photographer makes portraits. The photographer leaves the studio and the subject alone with the camera for some minutes. The photographer returns. The gentle shifts in awareness of the presence and absence of the photographer raise questions relating to the morality and the veracity of making images of people who both know they are being observed and are then unaware. Which is the true record? Is the photographer necessary - or even an impediment - to the act of photography?