水の中のねこ (1980)

Özet

Snares and worms live inside a pinhole camera. The film follows their narrative as they dream about everything. The camera, which has no lens, greedily shakes its head and tries to collect all the light in the world. Suna is not satisfied with the light that comes through the pinhole, but wants to turn his own eyes into a pinhole, and wants a landscape that is directly burned into his brain.