Metawork (2019)

Özet

Ihor works from home in a taxi answering service. He seems to be imprisoned in his room in a depressing apartment block opposite the pompous Orthodox cathedral. To escape the hopelessness, Ihor tries to interpret his precarious daily life as creatively as possible. Growing sunflowers on his balcony and creating rotoscoping animation on an out-of-date black&white printer become important rituals of resistance.