Six Seventy-Two Variations, Variation 1 (2021)

Özet

In this live projection performance for 16mm film, Tomonari Nishikawa explores the material specificity of the cinematic apparatus through a real-time manipulation of its physical elements. Scratching directly onto the emulsion of a looping filmstrip in the midst of projection, Nishikawa creates animated abstractions in a pattern of horizontal lines, and also generates the film’s score, a percussive throbbing of noise.