The Fiddler's Rearview Mirror (1975)

Özet

Atmospheres from Poul Dissing, Benny Andersen and their group's journey from place to place to perform, seen through the painter Søren Hansen's gaze. The film is typically an experimental film and has no intention of reporting from Dissing's tour. It makes use of e.g. double exposures (multiple images copied on top of each other) and fragmentary sound clips to capture the moods of the traveling musicians.