Un son sur cette dernière image (2021)

Özet

In each of her films (including many of those that have been shared here at FIDMarseille, over the years), it seems as though Sophie Roger has given herself a rule that is unsettling for anyone else: nothing guarantees that the secrets hidden in each work are revealed to the author, let alone anyone else, in a definite way at least. In addition, perhaps this time more than usual, we are confronted with a riddle – in two chapters.