Man with Cockerel (2004)

Özet

In Man with Cockerel the viewer's reverie is jolted by a montage of asynchronous sounds which struggle to attain verisimilitude and connect with the chimeric procession of events injected in the interstices left by the splintering pixels of the dissolving man. Sensory relief is afforded at the end of the loop, by the long silent lapping of waves on an empty screen.