I/68 Dinge (1968)

Özet

Starting from indeterminate, large public spaces, the film focuses on the lines, corners, and openings of a barren apartment, eventually landing without lingering on used items, a cloth, crumpled paper. Many shaky doors swing shut, to be quickly replaced by others. Pressure and suction emerge spontaneously from the rooms in front of the observer's eyes. In the mundane: table legs, the dark tobacco end of a cigarette. The film brings life into being and ushers in light.