The New Black Yoga (2011)

Özet

Rashid Johnson’s installations frequently take the form of embellished support structures that display found objects, imbuing them with a new significance that hovers between the archaeological and the talismanic. These collections of items—which together build an iconography that spans literature, music, intellectual history, and echoes of the artist’s childhood in Chicago—reflect deeply personal references interwoven with pervasive cultural narratives.