Arbitrary Limits (1974)

Özet

Arbitrary Limits is a documentation, and a documentary, of the making of itself, a self-reflexive narrative that encompasses the relationship between film-maker and sound recordist, and their relation to the ongoing film, a commentary on the film’s production, and the gradual exposition, through asides, and partial explanations through the film, of what the film set-up, and its eventual notional outcome should be.