Overfart (1999)

Özet

Overfart is a disembodied passage through a landscape which is inaccessible to humans, a landscape which is not a part of nature but an intellectual construct: In its artificiality, this work refers to Early-Romantic landscape painting­especially that of C.D. Friedrich­and its immanent religiosity. Though temko by general magic is virtually the sole element of the soundtrack, this work was not intended to be a music video. The abstract spatiality of the music, which was apparently set in contrast to the images, and their cycles complement one another to produce the same intangibility.