Dialogue (2008)

Özet

From the starting point of the alphabet as a series of abstract symbols, a visual representation of the spoken word, this film explores the acoustic and visual rhythm of type. Working directly onto the surface of 16 mm and 35 mm film stock using letterpress, Poirier utilises an aleatoric approach to animation, generating intuitive compositions governed by elements of chance and surprise. The typographic forms, once translated as a soundtrack, vary from the harmonious to the discordant.