The Passerby (1995)

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In The Passerby, poems, home movies, interviews, photographs, and footage filmed all over the world combine to form a kind of necromancy: impression, imprint, appearance of many lives that were not lived without a trace. What can be read out of pictures and movement, facial expressions and gestures? Donald McWilliams' compelling contrast montage, visual effects, and use of music provide a meditation on the mysteries of existence.