To the Beach (1999)

Özet

One hears in the call of the sea the feeling of a promise made to us before birth, that we can know the world not merely as an atlas of things seen, but rather as a continuum of felt experience in which it is impossible to distinguish between our selves and the world around us: self and other are melded into one. To the Beach explores this feeling from three vantage points, filmed (respectively) near, in, and under the sea using a variety of techniques, and registers the resulting images onto hand-made film emulsion. I. Approaching the Shore: in which the ocean first offers its irresistible salty scent. II. Swimming: in which we become again what we are. III. Seeing Stars: as above, so below.