Dutchman's Photographs (1976)

Özet

Beginning with the grounded view of bare feet walking through shallow surf, the film then seizes and, in successively cumulative layers adds frames of image-within-image until we are watching the walking feet through a tunnel. The Dutchman's Photographs becomes a kinetic reiteration of itself and in doing so, succinctly detaches from spatial illusion, beginning a temporal experiment where still photographs are transformed into cinematic "action".