Footsteps (1974)

Özet

Footsteps is in the manner of a game re-enacted, the game in making was between the camera and actor,the actor and cameraman, and one hundred feet of film. The film became expanded into positive and negative to change balances within it; black for perspective, then black to shadow the screen and make paradoxes with the idea of acting, and the act of seeing the screen. The music sets a mood then turns a space, remembers the positive then silences the flatness of the negative.