Lily, Lily, Lily (2026)

Özet

Lily looks inside, then leaps. A dive into the consciousness of an industrial database. The film reconstructs the fictional memories of an industrial computer plant. Blending the present with the past, an artificial consciousness grapples with three ways of looking at reality. Photographs, archives, and fiction, hybridized with rotoscoping and digital reconstructions using photogrammetry, help Lily, the industrial software, increasingly approach human perception.