Limits and Demonstrations (2025)

Özet

The installation for which Olivia Normille's two videos ("as above, so below", and "Body Diagrams") were made consisted of video projection sequences, drawings, and sculptural interventions – each functioning like the parts of a deconstructed film. The work employed strategies of editing and collage to interrupt and disrupt the familiar patterns of speech and physical movement; laying bare the materiality and labour in the construction of representational narratives, whilst also fragmenting the passivity that tends to accompany our experience of film viewership and cinematic space.