Taxi moto (2026)

Özet

A filmmaker's film shoot is canceled, and he sets off in search of what remains of it, elsewhere, accompanied by another actor. What they seek together is no longer just a film, but a reflection on the stories that are forbidden and those that are reclaimed. Through their exchanges, the boundary between cinema and life blurs, and the film becomes a space of intimate resistance, where thinking, desiring, and speaking are one and the same.