Void

Özet

In the backseat of a car ride through the streets of Cairo, runs a one way dialogue where the language of a space or a film is inquired about. Intercutting the dialogue, a misfit, young ballerina, dwells in an unfinished interior of a house. She looks out of the windows onto the city. As the dialogue runs, the gaze of the ballerina and the camera replace one other interchangeably. Eventually, it is not identifiable of which the dialogue is indicative of.