Manekiny Tadeusza Kantora (1983)

Özet

Tadeusz Kantor’s “Theatre of Death” is based on a singular reversal of traditional values: in this work, which indirectly relates to the world of puppetry, death is seen as a positive counter to the values of a consumer society. Thus, in accordance with this perspective, the actor was to appear to the viewer with the same strangeness and the same distance as though surrounding a corpse.