Smell the flowers while you can (1994)

Özet

Johan Grimonprez transposes an extract from Meg Stuart’s compelling choreography ‘No Longer Ready-Made’ to the anonymous waiting room of a railway station. This colourless space along with nameless travellers provides the excellent setting for Stuart’s hectic and intense convulsions. A train ride along the nightly Brussels northern area supports the vitriolic New York City prose of David Wojnarowicz on the soundtrack.