The Invisible Worm (2024)

Özet

Benjamin Britten’s elegiac musical setting of William Blake’s “The Sick Rose” supplies the title of Rosalind Nashashibi’s video, which unfolds as an elliptical cross-media dialogue between the multimedia artist Elena Narbutaitė, the sculptures of Marie Lund, and Nashashibi’s own paintings and camera. What emerges is a set of funny and deep reflections on artist-types and the contexts and meanings of art-making—as a place to breathe and wonder, or a form of wasting time. “Don’t take it all too seriously.”