Beautiful Monsters (2024)

Özet

BEAUTIFUL MONSTERS forms a complement this film by crafting an intimate portrait of Erika Kramer: time together in the lush, overgrown garden of the stone house on the Seine, casual conversations between games of Scrabble, tarot card readings, acoustic resonances and drawings. An expansive cosmos unfolds between daughter and mother: from memories of Keja Ho’s birth in 1974 to a playful initiation into the irrefutability of death. (Volker Pantenburg)