Eu Não Posso Fazer Nada (2024)

Özet

“I Can't Do Nothing” deals with the relationship between Erika and her mother, who returns to her daughter's house in the interior of Minas Gerais in a region known for intense mining.
Ill, the mother suffers from a terminal illness. The days pass, relationships become more difficult, and the cinema operates. It is a labyrinthine reading of the relationship between mother and daughter, forming a kind of mobile mystery, the only way out there to look where nothing can be seen: death.