Ideogram (2023)

Özet

Sequence plans in full freedom of investigation of bodies, of their shadows, means and desires. It is the extension of the movement and the apprehension of the light on the frame. The end is loud. A visit to Brazil's visual past. About exploring these images (or ideas) to the fullest to innovate language. Swallowing the old and, from there, creating the new. It reminds us a little of what marginal cinema was like.