Artificial Reality (1976)

Özet

The work resulted from one of photographic and film seances, as the artist called them. The use of the procedures of multiplication and the mutual overlapping of semitransparent images on photographic film produces the impression of movement: veiling and unveiling the private parts of the body, but also a sense of artificiality and subversion inherent in photography and film that records the image of reality and “falsifies” it at the same time.