Half Moon (2019)

Özet

In Half Moon, Travis Scott’s “Sicko Mode” is paired with footage of the artist’s Vietnamese father walking in an Asian restaurant, the music transforming his nervous march into a hip catwalk stride. Meanwhile, sluggish, eerie electronic beats often accompany angled shots of apartment interiors, accentuating a certain ghostly nature of such spaces. Music haunts, yet this state of being haunted has nothing to do with horror; it is more hypnagogic and ethereal. Amidst the hauntingly disorienting music, the sense of space is as distracting as the temporal experience.